Chinada Principals React to Coalition Diplomacy With Television Commercials of Their Own:
Part II
© 2009 Brad Kempo B.A. LL.B.
Barrister & Solicitor
Evidence of Chinada complicity and loyalty is enthusiastically delivered to the East-West Corridor of Diplomacy in many ways. One of them is in the form of television commercials – ones that seek to deride the coalition and in particular how its membership conducts one of its methodologies of diplomacy. The world’s largest corporations and multi-nationals who’ve joined the partnership scripted ad campaigns to embed the lexicon to announce they’d joined and to generate communiqués: Part I, Part II, Part III, Part IV , Part V, Part VI, Part VII
The Chinada High Command did exactly the same in the belief it would advance its nefarious agenda; when in fact dong so helped in significant part determine who operating the Ottawa-Toronto-Montreal-(Beijing) triangle of power and wealth procured and perpetuated and thereafter protected trans-generational corruption and criminality and Chinese de facto governance and militarization.
Now a lawyer for twenty years, the Custodian Chief Executive has viewed since he began the diplomacy archive how the Chinada High Command conducted its diplomacy as a prosecutor’s ‘dream come true’. What better than parties charged with high crimes willfully volunteering information by way of confessions and admissions, not to mention guilty conscience evidence, in the belief they were above the law?
The television commercials documented in Part I and the last part of Comparing and Contrasting the Size of the Coalition and Chinada; and How the World’s Large and Multi-National Corporations Advanced Coalition Interests and Objectives – The Geo-Politicization of Television Commercials: Part III reveal a perverse joy in reflecting back at the coalition its lexicon seeking to articulate how committed Canada’s political and corporate leadership and their Chinese geo-bedmates are to maintaining the Security of Information Act violating ‘business as usual’ status quo and pursuing their global hegemony agenda.
These ‘confessing’ advertisements are not only created for this purpose and to service the need to maintain the strength of the ideological bond amongst the command hierarchy and its millions of street soldiers, but also to thumb a collective nose at their international nemeses. For years they have intentionally aired during coalition-scripted programs that are re-broadcast on Canadian television stations – directly implicating the Thomsons, Rogers, Shaws and Aspers of the country’s media world – so that Canada’s corporate elite can be observed as on-the-record complicit and loyal to the Chinada agenda and utterly opposed to what the coalition seeks to achieve.
That was the case on December 11, 2009 during the re-airing of the episode documented in ‘Law & Order’: Describing the Coalition as the “Rights Alliance” and Threatening Lethal Consequences for Being Serial and Unapologetic Human Rights Abusers. During the very first commercial break, ads for Canadian Tire and the America auto giant’s Canadian subsidiary that makes Dodge Grand Caravans were shown.
The former confesses to Chinada complicity. It ends a new Christmas ad by juxtaposing its logo with the number 19 -- the lexicon’s constituent for identifying China.
Immediately following was a commercial by the Canadian automaker, themed to attract parents to purchasing the vehicle. A young child is arranged to be in front of a red model in front of a white screen (Canada), wardrobed in the color of quantum.
She's then choreographed to execute a Faith Maneuver to the scripted line about the rear view back-up camera: “This is so my dad [F.M.] doesn’t run over my bike".
This is a communiqué of intent directed at the coalition if it seeks to fundamentally alter Canada’s political, administration of justice, law enforcement, military, corporate and Chinese status quo. The fallacy in this position was articulated in Comparing and Contrasting the Size of the Coalition and Chinada.
She ends her description of air bags with “it’s magic”, which is geo-intended to introduce the scene in which she’s playing in the back; and spread in front of her is artwork, comprising three big stars on sheets of paper – a blatant representation of the Chinese flag. And to admit to being supportive and loyal to if not complicit in the institutionalization of enslaving human experimentation and the development of stealth cognition technologies, a monkey toy is added, and next to the China colored art that depicts the totalitarian flag.
This is another indication that these technologies are being used on children to make them more competent and obedient street soldiers and sex toys when they grow up to be teenagers and adults.
She’s then choreographed to have created artwork that assembles five stars together, representative of the ‘five star’ rating the vehicle has been given. It’s time to the remark “That’s how safe it is” – which articulates how everyone associated with the Chinada agenda don’t have to worry about coalition threats, for they’re just hot air.
Note the red and yellow side-by-side, China, and the colors of justice and quantum beneath it; seeking to mock the coalition and diminish to trivial its stated objectives, including protecting the next generation of kids from pain, suffering, loss and death associated with the totalitarian paradigm of governance.
This is a second instance of using children as geo-billboards: Stephen Colbert: Ignites an Olympics-Related Firestorm Only Understood in the East-West Corridor of Diplomacy – Canada’s Malfeasants are “IceHoles”.
Part way through the episode a Canadian version of a geo-politicized beer commercial was added. It was for the new MolsonCoors as documented in A Coalition Partner Finds a Most Creative Way to Honor Taylor Swift’s Contributions to Democracy, Rule of Law and Human Rights.
To add one more instance of arrogant belligerence, at the conclusion of ‘Law & Order’ the first commercial to air was for Purina Cat Chow. It begins with an owner, attired in prison certainty, being shown affection by his feline pet, prison certainty, on the porch with the railing – prison certainty – and a striped door mat – prison certainty – in the immediate background.
Producers manipulate the cat to lick his nose, a Clooney Maneuver, and timed in a way to confess to being loyal to or complicit in having procured and perpetuated what the isolation-deprivation theme condemns.
Who’s the most handsome prince? You are. Come to give me snuggles? Come to give me little kisses?
